Showing posts with label Paul. Show all posts
Showing posts with label Paul. Show all posts

Saturday, February 4, 2012

Waitangi Snow

I hear Zoe shriek with excitement. Rushing into the living room, I realise she’s peering out the open window at a thick haze of spiralling snowflakes.

Horizontal snow fogging the lens on Westminster Bridge.
Like a true antipodean, I put on my warm clothes immediately. Before I’ve finished, I’ve had an excited txt from Kat (despite being sick in bed), seen countless facebook updates about the snow from fellow London based Kiwis, and noticed that ‘#uksnow’ is already trending on Twitter.

How interesting to watch modern communications reflect that most basic feeling of joy that every antipodean feels when they see flakes begin to fall. It’s like being nine years old again.

I’m soon on the bus, bundled up tight. I get off at Westminster, determined to see Big Ben under snow. Of course I’m a little premature... 20 minutes of snow isn’t really enough to whitewash parliament!

The central city is filled with rowdy Kiwis, all dressed as sheep or wearing marmite T-shirts. Today was the infamous Waitangi Circle Line Pub Crawl. They're all as obsessed with the snow as I am. I yell "kia ora" and a guy with a full face tattoo smearing across his cheeks grins and calls back "cheers, bro!"

I meet Paul at the National Gallery, where we have tickets to see the Leonardo da Vinci exhibition in an hour (see blog post here).

We fill in the time skidding along Trafalgar Square.

Trafalgar Square under a layer of snow.

One of the infamous Trafalgar Square Lions.

Snow continues to fall heavily the entire time we’re at the exhibition. By the time we leave, London is covered in a thick white blanket. It’s late, dark, and freezing, but people everywhere are running, shouting, and having snowfights.

The fountain in Trafalgar Square is icing over.


We're standing on a pedestrian island halfway across the road, walking towards our bus stop, when I see a an out of control van skidding towards us in what felt like slow motion.

The driver is tooting his horn and looks terrified. I realise he's skidding on the fresh ice, and dive out of the way. He smashes into another guy, and then Paul, then about half a metre later is stopped in his tracks by a traffic light.

Meanwhile, the momentum of being hit by a car has pushed Paul backwards. Spooked, and trying to keep his balance, he runs backwards. Across the road. I hate to think what could have happened if the lights hadn't been red at that precise moment.

On the other side of the road, he promptly slips and falls on his bum. Then stands up and yells at the driver. There's the Paul I know and love.



I go to comfort him. He's white as a sheet, cold, wet, and shaking. He didn't realise the van was skidding on ice until well after he'd been hit.

Our bus stops only halfway home and everyone has to get off. Apparently London transport isn't very well equipped for snow. We walk the rest of the way.

Paul is fine the next day and has barely more than a few bruises to show off, but we both have trouble sleeping from all the adrenaline pulsing through our veins.

Leo in London: Part II

I've heard about nothing but da Vinci all week. Ever since missing out on tickets on Saturday, Paul's been miserable.

But he's got a plan.

eBay. Where everyone's a winner.

We agree on a top price and only get into one argument during the bidding. I even pause Glee to find out if we've won.

I'm a little disappointed when we find out that we have. I’m sure my first car cost less than these tickets. A bargain at only three times face value.

eBay. Where winning isn't really winning.

But we go. And they let us in despite the fact that neither of us looks much like a 'Shahzad Malik'.

And, in the understatement of the century: it's great.


Saturday, January 28, 2012

Leo in London: Part I

They’re calling it the greatest exhibition in history. More Leonardo da Vinci works in one place than ever before - including during his lifetime.

Of course, it sells out in record time. The National Gallery opens extended hours for three months and still sells all the advance tickets in less than a week. We miss out.

But there’s a glimmer of hope aside from the scalpers on eBay.

800 tickets per day are still available. In America they’d have a lottery. They believe everyone should have a chance. In England, they believe whoever puts in the most effort should end up on top. So they sell these tickets on a first come, first served basis.

Which is why Paul arrives at 7am, three hours before the ticket office even opens.

By 7:30, he’s been informed that he’s in the ‘maybe’ zone. He prays that the several hundred people who arrived even earlier are all nuns and widowers who won’t use their plus one, leaving his own entry within reach.

He sets about making friends with those around him. There’s a couple from Manchester who caught the train down just for this exhibition. None expected that 7am would put them so far behind the crowd.

The line starts to leak as people give up in favour of a hot coffee or a toilet break. Paul and his posse soldier on, blinded to their inevitable failure by an attempt to show solidarity.

The gates close around 1:30pm. The tickets have sold out about 20 people ahead of Paul. The group have waited for six and a half hours together and can’t bear to leave so soon. So they keep waiting (for some unknown reason).

A guy approaches Paul.

“My friend can’t come anymore. My ticket is for right now. I know you’ve been waiting for ages, so I don’t want to make any money off you. Just give me face value and it’s yours”.

Paul has no cash.

He comes home.